Why a Giant Lizard Still Dominates My Streaming Choices
Among the eclectic collection of memorabilia I have gathered from movies, video games, and television over the years, one item stands proudly at the pinnacle. It is not just any trinket, but a testament to a lifelong fascination with cinematic monsters.
The King of the Monsters in Physical Form
When you look past an assortment of board games, imported Japanese video games, and even an action figure of Ben Mendelsohn, you will discover an object that resembles a book. Its cover features a massive, imposing lizard. This is no ordinary reptile. It is the iconic Godzilla.
Inside this unique "book," you will not find pages of prose. Instead, it houses every Godzilla film released between 1954 and 1975, known as the Showa era. This collection represents a golden age of monster cinema that continues to captivate audiences today.
Anticipation for Monarch: Legacy of Monsters
While numerous major television shows are making comebacks, and industry heavyweights continue to produce content, my current streaming excitement is firmly focused on one series. Yes, I am watching The Pitt, but the show I am most eager to dive into is the second season of Monarch: Legacy of Monsters.
The series is headlined once again by Kurt Russell, who shared a role with his son Wyatt Russell in the first season, alongside Anna Sawai, fresh from her breakout performance in Shogun. There is something profoundly satisfying about witnessing a giant lizard battle other colossal creatures. It taps into a primal, personal spot in my brain that few other narratives can reach.
Even as a more serious Japanese interpretation of the King of the Monsters looms on the horizon, and an even sillier Australian version is set for next year, Monarch: Legacy of Monsters strikes a perfect balance. It offers a happy medium that appeals to both longtime fans and new viewers.
The Titans of February Streaming
However, Godzilla and King Kong are momentarily overshadowed by the biggest streaming event of February. Bridgerton may not be a show crafted with me in mind, but that is perfectly fine. The audience it targets adores it, and the numbers speak volumes.
The first part of season four, released on January 29, 2026, was viewed an astonishing 39.7 million times within its first four days. With the second part scheduled to drop on February 26, you can expect Bridgerton to dominate Netflix's top 10 list for the foreseeable future. The inclusion of actors like Johnathan Bailey might even tempt a broader audience to give it a watch.
Embracing the Fallout Universe
Another series holding significant importance for me is Fallout. As someone who has invested countless hours into the video games, the second season of the show has embraced the universe with far more enthusiasm than its predecessor.
The first season was enjoyable, but it often felt like it kept many elements at a distance. Recognisable armour and familiar names from the games felt somewhat cosmetic. In contrast, the second season has properly introduced characters like Mr House, reminiscent of Howard Hughes with a love for Las Vegas and robots, along with more monsters from the video games.
This deeper integration has transformed Fallout into a show I eagerly anticipate each week. As the current season wraps up, I am already looking forward to what season three will bring.
In the ever-expanding world of streaming content, from monster epics to period dramas and post-apocalyptic adventures, Godzilla remains a timeless king in my queue. His legacy, much like the shows he inspires, continues to evolve and captivate.
