The National Theatre's Dorfman Theatre presents Pride, a compelling new play that charts the evolution of the LGBTQ+ rights movement through the eyes of three generations. Directed by Ellen McDougall, the production runs until August 15 and has already sparked conversations about identity, activism, and community.
A Story Spanning Decades
The narrative weaves together the lives of a gay man coming out in the 1980s, a lesbian couple navigating the 1990s, and a non-binary teenager in the present day. Their stories intersect at key moments in history, from the Stonewall riots to the legalisation of same-sex marriage. Playwright Sarah Williams draws on extensive interviews with over 50 activists to create an authentic tapestry of experience.
According to the National Theatre, ticket sales have exceeded 90% capacity for the first three weeks, indicating strong public interest in LGBTQ+ narratives. The production features a cast of 12 actors, many of whom identify as LGBTQ+.
Performances That Resonate
Rebecca Front delivers a standout performance as Margaret, a veteran activist who recalls the early days of the Gay Liberation Front. Her monologue in Act Two, describing the 1988 Section 28 protests, drew spontaneous applause from the audience. Meanwhile, newcomer Alex Austin brings raw energy to the role of Jamie, a teenager navigating gender identity in the digital age.
One of the most poignant scenes involves a 1994 Pride parade where the characters confront police hostility. The staging uses projections of archival footage, creating a visceral connection to the past. "The play reminds us that progress is fragile," Williams said in a recent interview. "We must continue to fight for equality."
Design and Direction
Designer Chloe Lamford transforms the intimate Dorfman space into a fluid landscape of memory. A central revolve shifts between eras, while lighting by Jessica Hung Han Yun uses rainbow hues to underscore emotional beats. McDougall's direction keeps the pacing brisk, though some transitions feel rushed.
The production includes a trigger warning for scenes depicting homophobic violence and HIV/AIDS stigma. The National Theatre has partnered with the charity Stonewall to host post-show discussions every Tuesday.
Critical Reception
Critics have praised Pride for its ambition, though some note that the three-story structure occasionally feels disjointed. The Guardian's review highlighted the "unforgettable performances" but questioned whether the play tries to cover too much ground. Nevertheless, audience reactions have been overwhelmingly positive, with many citing the production's emotional impact.
With its timely themes and strong ensemble, Pride stands as a significant contribution to LGBTQ+ theatre. It runs at the Dorfman Theatre until August 15, with tickets from £20.
